Noémi Büchi is a Swiss-French composer and sound artist whose work bridges experimental electronic music production, electroacoustic composition, and contemporary classical performance. Exploring cross-genre musical structures, she combines electroacoustic orchestral abstraction, analog synthesis, and raw noise within forms that sometimes echo pop structures, creating an expansive listening experience and sound architectures, marked by detail and elevation.

Her practice spans electroacoustic composition, live performance, audiovisual works, and site-specific commissions, extending across film, contemporary dance, installation, fashion, and orchestral contexts.
Her work has been presented internationally at leading festivals including CTM Festival, MUTEK, Ars Electronica, L.E.V. Festival, and Nuits Sonores, as well as in renowned museums and cultural institutions such as Museo Nacional Reina Sofía (Madrid), Musée d'arts de Nantes, Culture Station Seoul 284, and Pavillon le Corbusier (Zürich). Alongside her solo work, she collaborates with ensembles, musicians, choreographers, and visual artists, translating her musical language into diverse performative and spatial formats.

After her studies in Musicology, German Literature & Linguistics and Electroacoustic Composition, she has been developing her compositional voice at the intersection of sound exploration, musicological research, and artistic practice / performance.

She currently lives and works between Basel, Zürich and Paris.


Selected Press

2026 - Ableton, Documentation
2026 - Libération, Interview
2026 - T-MAG, Interview
2026 - Pitchfork, Review
2026 - NERO Magazine, Interview
2026 - SNCMAG, Interview
2025 - 15 Questions, Interview
2024 - Clot magazine, Interview
2024 - Neural Magazine, Review
2024 - Goutes mes disques, Review
2023 - SRF Documentation
2023 - Rollingstone, Review