<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>Noémi Büchi </title>
	<link>https://noemibuchi.net</link>
	<description>Noémi Büchi </description>
	<pubDate>Tue, 16 Dec 2025 07:42:16 +0000</pubDate>
	<generator>https://noemibuchi.net</generator>
	<language>en</language>
	
		
	<item>
		<title>Front page</title>
				
		<link>https://noemibuchi.net/Front-page</link>

		<pubDate>Wed, 19 Oct 2022 18:01:55 +0000</pubDate>

		<dc:creator>Noémi Büchi </dc:creator>

		<guid isPermaLink="true">https://noemibuchi.net/Front-page</guid>

		<description>
	


	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

</description>
		
	</item>
		
		
	<item>
		<title>ABOUT</title>
				
		<link>https://noemibuchi.net/ABOUT</link>

		<pubDate>Wed, 19 Oct 2022 18:01:55 +0000</pubDate>

		<dc:creator>Noémi Büchi </dc:creator>

		<guid isPermaLink="true">https://noemibuchi.net/ABOUT</guid>

		<description>



	Noémi Büchi is a Swiss-French composer and sound artist whose work bridges&#38;nbsp;contemporary electronic and electroacoustic composition and performance. Exploring cross-genre musical structures, she combines electroacoustic orchestral abstraction, analog synthesis, and raw noise, creating an expansive listening experience and sound architectures, marked by detail and elevation.

Her practice spans experimental electronic production, electroacoustic composition, live performance, audiovisual works, and site-specific commissions, extending across film, contemporary dance, installation, and fashion.
Her work has been presented internationally at leading festivals including CTM Festival, MUTEK, Ars Electronica, L.E.V. Festival, and Nuits Sonores, as well as in renowned museums and cultural institutions such as Museo Nacional Reina Sofía in Madrid, Musée d'arts in Nantes, Culture Station in Seoul, and Pavillon le Corbusier in Zürich.  Alongside her solo work, she collaborates with ensembles, musicians, choreographers, and visual artists, translating her musical language into diverse performative and spatial formats.

After her studies in Musicology, German Literature / Linguistics and Electroacoustic Composition, she has been developing her compositional voice at the intersection of sound exploration, musicological research, and artistic practice / performance.Following six years of artistic research centered on the cycle Matter, Büchi's recent work marks a decisive shift in her compositional approach. Her current work explores new forms of musical tension, moving away from accumulation towards temporality and reduction. While remaining rooted in a radical sonic practice, she is increasingly developing long-form electroacoustic compositions in close collaboration with instrumentalists, expanding her work through new ensembles, acoustic instruments, and compositional perspectives.
She currently lives and works between Basel, Zürich and Paris.

Selected Press


2026 - Ableton, Documentation
2026 -&#38;nbsp;Libération, Interview2026 - T-MAG, Interview
2026 - Pitchfork, Review

2026 - NERO Magazine, Interview
2026 - SNCMAG, Interview2025 - 15 Questions,&#38;nbsp;Interview
2024 - Clot magazine, Interview
2024 - Neural Magazine, Review
2024 -&#38;nbsp;Goutes mes disques,&#38;nbsp;Review
2023 -&#38;nbsp;SRF Documentation2023 -&#38;nbsp;Rollingstone, Review





	
&#60;img width="2800" height="2800" width_o="2800" height_o="2800" data-src="https://freight.cargo.site/t/original/i/c9afbed7b2dd2f105190dc9e9df66ace66ce92c083f58ca2e64a952a78c8691c/NoeImi-BuIchi_Exuvie_PORTRAIT-A-Brigitte-FaIssler.jpg" data-mid="250395646" border="0" data-scale="100" data-icon-mode alt="Foto by Brigitte Faessler" data-caption="Foto by Brigitte Faessler" src="https://freight.cargo.site/w/1000/i/c9afbed7b2dd2f105190dc9e9df66ace66ce92c083f58ca2e64a952a78c8691c/NoeImi-BuIchi_Exuvie_PORTRAIT-A-Brigitte-FaIssler.jpg" /&#62;


	


	
</description>
		
	</item>
		
		
	<item>
		<title>LIVE</title>
				
		<link>https://noemibuchi.net/LIVE</link>

		<pubDate>Thu, 20 Oct 2022 09:03:14 +0000</pubDate>

		<dc:creator>Noémi Büchi </dc:creator>

		<guid isPermaLink="true">https://noemibuchi.net/LIVE</guid>

		<description>


	

	
	
2026
29.10 - L’Octogone. Théâtre de Pully&#38;nbsp;(CH) -&#38;nbsp;Live
23.10 - Semibreve, Braga (PT) -&#38;nbsp;Exuvie
17.10 &#38;nbsp;- Mesh Festival, Basel (CH) -&#38;nbsp;Er[r]o[r]s 
09.10 -&#38;nbsp;Robot Festival, Bologna (IT) - Live07.10 -&#38;nbsp;Maintenant Festival, Rennes (FR) -&#38;nbsp;Exuvie
26.09 - Live Video Festival, Basel (CH) -&#38;nbsp;Exuvie27.08 - Mutek Montréal (CAN) - Exuvie
21.08 - Mikro, Zürich (CH) - Live
20.06 -&#38;nbsp;Dancity Festival, Foligno (IT) -&#38;nbsp;Exuvie18.06 -&#38;nbsp;Basel Social Club, Basel (CH) - Er[r]o[r]s&#38;nbsp;
06.06 - Niansa Festival (SVN) - Live21.05 -&#38;nbsp;Videoex, Zürich (CH) - Exuvie16.05 -&#38;nbsp;Nuit Sonores, Lyon (FR) - Exuvie29.03 - Theater am Gleis, Winterthur (CH) - Commision for Ensemble TaG
27.03 -&#38;nbsp;Dampfzentrale, Bern (CH) - Exuvie 31.01 -&#38;nbsp;CTM Festival, Berlin (DE) - Exuvie [Premiere]


2025
09.12 - Unfold X,&#38;nbsp;The Seoul Foundation for Arts and Culture&#38;nbsp;(KOR)&#38;nbsp;- Does It Still Matter&#38;nbsp;06.12 -&#38;nbsp;Progetto Bao - Brescia (IT) - Live 
29.11 -&#38;nbsp;Biennale Son - Sion (CH) - Does It Still Matter 
28.11 -&#38;nbsp;Parade Electronique, Milano (IT) - Live
20.11 -&#38;nbsp;Mutek Tokyo (JP) - Does It Still Matter 
14.11 - Kunstraum Walcheturm, Zürich (CH) - Commission for Domizil, ICST
25.10 -&#38;nbsp;Biennale Némo, Paris (FR) - Does It Still Matter 
17.10 -&#38;nbsp;Volumens, Valencia (ESP) - Does It Still Matter 03.10 -&#38;nbsp;Palazzo Trevisan, Venezia (IT) - Collaboration
19.09 -&#38;nbsp;Opernhaus Zürich (CH) - Site Specific live Performance
06.09 - Musikfestival, Bern (CH) - Commission
05.07 -&#38;nbsp;Videocittà, Rome (IT) - Does It Still Matter 02.07 -&#38;nbsp;Festival de la Cité - Lausanne (CH) - Live
22.06 - Gessnerallee, Zürich (CH) - Dance Performance
21.06 - Tanzhaus, Basel (CH) - Live
23.05 - Blaues Rauschen, Dortmund (DE) - Live
08.05 -&#38;nbsp;UMBO, Zürich (CH) - Live
14.03 - Performing Sound, Salzburg (AUT) -&#38;nbsp;Does It Still Matter
28.02 - See you Sound Festival, Cinema Massimo, Torino (IT) -&#38;nbsp;Does It Still Matter

2024 

22.11 - Festival Internacional del Cinema, Museo Reina Sofia, Madrid (ESP)- Does It Still Matter 
25.10 - Heroins of Sound,&#38;nbsp;Volksbühne, Berlin (DE) - Does It Still Matter 
18.10 - Live in Vevey, Théâtre de l’Oriental, Vevey - Collaboration w/ Arthur Hnatek08.10 -&#38;nbsp;Festival Maintenant,&#38;nbsp;Rennes (FR) - Does It Still Matter 
04.10 - Palace, St. Gallen (CH) - Live03.10 -&#38;nbsp;Kunsthaus Walcheturm - Live
25.09 - Otranto Film Festival, Otranto (IT) -&#38;nbsp;Does It Still Matter 
20.09 - FOG Festival, Basel (CH) -&#38;nbsp;Does It Still Matter 

07.09 -&#38;nbsp;Pavillon Le Corbusier, Lange Nacht der Museen, Zürich (CH) - Site Specific live Performance
24.08 - Bruit Rose, Fribourg (CH) - Live
15.06 - Fondation Bugnon, Châteaux d’Oex (CH) - Musique Infinie
04.05 -&#38;nbsp;L.E.V. Festival, Gijon (ESP) - Does It Still Matter 
19.04 - RKC, Vevey (CH) - Live
13.04 -&#38;nbsp;Mutek, Barcelona (ESP)&#38;nbsp;- Does It Still Matter 
30.03 -&#38;nbsp;Variations, Le lieu unique, Nantes (FR) &#38;nbsp;- Live
22.03 - Amalgame, Yverdon les Bains (CH) - Live
29.02 - Zentralwäscherei, Zürich (CH) - Live
12.01 - Plattentaufe,&#38;nbsp;Moods, Zürich (CH) &#38;nbsp;- Live

202329.12 - Festival Incadescent, Mallorca (ESP) - Live
21.10 - Fri-Son, Fribourg (CH) - Musique Infinie
23.09 - LAC, Lugano (CH) - Live13.09 - Roma Europa Festival, Rome (IT) - Live
08.09 -&#38;nbsp;Ars Electronica, Linz (AUT)&#38;nbsp;- AV Show
01.09 -&#38;nbsp;Klang Moor Schopfe Festival (CH) - Live
08.07 - Spielact Festival, Genève (CH) - Live
01.06 -&#38;nbsp;Kilbi, Bad Bonn w/ Musique Infinie (CH) - Musique Infinie
05.05 - IGNM, Bern (CH) - Live
25.04 - ABC, La Chaux de Fond (CH) - Live22.04 -&#38;nbsp;Outer Festival, Modena (IT) - Live
19.02 -&#38;nbsp;Perronnord , St. Gallen (CH) - Live
10.02 - Bad Bonn, Düdingen (CH) - Live
12.01 - Nachtstrom, Gare du Nord, Basel (CH) - Live
10.01 - IOIC, &#38;nbsp;Zürich (CH) - Live

202207.12 - Stadtkino, Basel (CH) - Live
03.12 - Sonic Matter, Zürich (CH) - Live
02.12 - Zentralwäscherei, Zürich (CH) - Live
14.11 -&#38;nbsp;Linecheck w/ -OUS, Milano (IT) - Live
02.11 - Kaserne, Basel (CH) - Live
07.10 - Umbo, Zürich (CH) - Live
16.09 - Strom am Mittag, Zürich (CH) - Live
01.09 - SMEM, Fribourg (CH) - Live
27.08 - Festival Rümlingen (CH) - Live12.08 -&#38;nbsp;Kunsthalle Düsseldorf (DE) -&#38;nbsp;Live
29.07 - Stadtsommer, Zürich (CH) - Live
22.07 - Floating Notes Festival, San Bernardino (CH) - Live05.06 -&#38;nbsp;Rhizom Festival, Zürich (CH) -&#38;nbsp;Live
21.05 - Arienne Birchler Fashion Show, Zürich (CH) - Live
06.05 - Royal, Baden (CH) - Live
08.04 - Neubad, Luzern (CH) - Live
11.03 - Palace, St. Gallen (CH) - Live
02.03 - Schönegg Variété, Zürich (CH) - Live
26.02 - Elbar, Wald (CH) - Live202126.11 - Werkjahr Preisfeier, Kunsthaus Zürich (CH) - Live
25.11 - GDS.FM, Zürich (CH) - Live
23.11 - Dorfkirche Riehen, Basel (CH) - w/ Ensemble Thélème
06.11 - Klangwelt Toggenburg (CH) - Live09.10 - Skaiv, Stockholm (SWE) - Live
02.10 - Festival Maintenant, Rennes (FR) - Live
23.09 - Umbo, Zürich (CH) - Live
05.09 - Kilbi Festival, Bad Bonn (CH) - Musique Infinie 
26.08 - Helsinki, Zürich (CH) - Live
	
	


</description>
		
	</item>
		
		
	<item>
		<title>RELEASES</title>
				
		<link>https://noemibuchi.net/RELEASES</link>

		<pubDate>Sat, 22 Oct 2022 14:14:25 +0000</pubDate>

		<dc:creator>Noémi Büchi </dc:creator>

		<guid isPermaLink="true">https://noemibuchi.net/RELEASES</guid>

		<description>

	EXUVIE - LP
2026-OUS Records
«I am interested in the quiet resonance of what is no longer, yet still vibrates.» The tension between matter and memory is what Noémi Büchi was interested in when she wrote and recorded her third album, titled ‘Exuvie’. Derived from the latin word exuviae, meaning ‘what has been shed’, exuviae refer to the empty skin or shell left behind after a metamorphosis. This casting of skin leaves behind a trace of a body that has changed form, what remains is a fragile imprint of an earlier self, suspended between absence and renewal. What remains after a transition is a state where the past, the now and the promise of a future overlap and create a space moulded by traces and promises. Exuvie is about the processes of metamorphosis, and the slower rhythms of the body. The album is an exploration of musical and non-musical memories hidden within ourselves, inscribed somewhere in and under our skin. Büchi combines echoes of video game soundtracks, anime music, pop music, and late Romanticism. Developing her musical language, that combines orchestral elements with electroacoustic spectral layerings, further, Büchi integrates elements from popular music and emphasises unpretentious rhythmical repetitions. These fragments, shifting between the personal and the cultural, form an architecture of remembrance, a fragile skin suspended between temporalities.
	&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/36c1ad34b7411730a627d66534b8cba9080661de23acd4e008ef746e6cfd77f1/a2840724069_10.jpg" data-mid="250396563" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/36c1ad34b7411730a627d66534b8cba9080661de23acd4e008ef746e6cfd77f1/a2840724069_10.jpg" /&#62;&#60;img width="1200" height="831" width_o="1200" height_o="831" data-src="https://freight.cargo.site/t/original/i/85c1a9d6b6e49893e245840bbf5656aeb1ad2391f1385aa324791b545bc62771/0041675031_10.jpg" data-mid="250396584" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/85c1a9d6b6e49893e245840bbf5656aeb1ad2391f1385aa324791b545bc62771/0041675031_10.jpg" /&#62;


	LIQUID BONES - EP &#38;nbsp;
2025-OUS Records
In the heatgesticulate elasticallytheir bodiesdisappointing the desire to last.With 'Liquid Bones', Noémi Büchi marks a directional shift in her approach: while her previous albums put structure in the foreground and distinguished themselves through high density, the new material seems lighter and even playfully teases the listener with pop elements, albeit without loosing the conceptual depth that has carved out Büchi's singular position in today's musical landscape.
The piano, an instrument Büchi has been embracing for the better part of the past two decades, serves as a recurring theme on the five-track EP. Serving as a form-giving and shape-shifting instrument, Büchi extracts a diverse range of sounds: a leading motif, a voice-like element, percussive patterns, atmospheric textures. These are combined with minimal electronic transformations, orchestral sounds, crisp digital textures and Büchi's signature method of punctuating the compositions with noise accentuations, thus creating a highly dynamic listening experience.
The closing track, finally, introduces Joséphine de Weck's poetic voice, adding an intimate layer to the EP. Actress and writer de Weck has been the 'face' of Büchi's current audiovisual live show, in which she grants a seemingly intimate view into the actress' mind. Their track 'Fair Enough' expands this collaboration to the next stage.
As a whole, 'Liquid Bones' continues Noémi Büchi's study of matter, form and structure. By examining their impermanence and transience, Büchi emphasises the temporary nature of being.
	&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f06e615c3820489f1c5f0c0e9b73c779a6e49180dfb9c0e98d662e0e430b7dfb/a1943707822_10.jpg" data-mid="250396600" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/f06e615c3820489f1c5f0c0e9b73c779a6e49180dfb9c0e98d662e0e430b7dfb/a1943707822_10.jpg" /&#62;

&#60;img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/3606000093e9bd8254f4b637d9a3a2faecb803f394a2993ee3f06abbcf3a78b6/0038816721_10.jpg" data-mid="250396758" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/3606000093e9bd8254f4b637d9a3a2faecb803f394a2993ee3f06abbcf3a78b6/0038816721_10.jpg" /&#62;


	DOES IT STILL MATTER - LP
2024-OUS Records

«The new avant-garde isn’t about creating something that doesn’t yet exist, it’s about abandoning and confusing rigid genres. I want to open up, in order to both abolish and reconstruct the musical past.»Noémi Büchi’s album ‘Does It Still Matter’ completes a series of releases whose titles - ‘Matière’, ‘Matter’, and ‘Does It Still Matter’ - place the physicality of music in the center of attention. Büchi’s specific sound structures and aesthetic choices question the state of materiality in a world that is becoming more and more fluid and intangible.From ‘Matière’ to ‘Matter’, Büchi subtly transferred from a focus on substance to questioning the enigmatic core ofbeing, passing from a noun to a verb, and from a single word to an inquiry. ‘Does It Still Matter’ weighs in on the importance of questioning. Her pieces juxtapose multi-layered analog synthesizer textures, crystal clear sounds and almost brutalistic noises, while they unfold in compositional structures akin to pop songs. Driven by an orchestra of myriad parts, her music creates transcendent intonations that resonate deeply with the listeners’ bodies. A daring blend of complexity and accessibility are molded into captivating sound sculptures that challenge and intrigue listeners alike.Deviating from conventional time divisions, ’Does It Still Matter’ immerses listeners in a discordant succession of elements, and guides them towards an eternal present that erases the past with each new revelation, while maintaining it through recurring themes that serve as intimate memories. Büchi’s avant-garde approach rejects predictability, inviting listeners to immerse themselves fully in the present. Everything starts anew at any given instant. Each musical idea exists for one precise moment, rendering the future unpredictable.‘Her compositions resonate like an infernal machine, questioning the instantaneous dissipation of everything. Finally, echoes and fragments of sounds remain, haunting memories like ghostly companions ’Does It Still Matter’ is an immersive experience that invites listeners to contemplate the impermanence of our world and the enduring power of sound.
	&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5a973de335b5f8e68dc515e198ece2c539b3c6872a4380282f5cc26127d12d30/a0268876034_10.jpg" data-mid="250396618" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/5a973de335b5f8e68dc515e198ece2c539b3c6872a4380282f5cc26127d12d30/a0268876034_10.jpg" /&#62;
&#60;img width="1200" height="831" width_o="1200" height_o="831" data-src="https://freight.cargo.site/t/original/i/4617e7e545f22767ddc7bc58ac9bf01e185a6d64b351c619f6e90c6c5e0e07d0/0036208475_10.jpg" data-mid="250396619" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/4617e7e545f22767ddc7bc58ac9bf01e185a6d64b351c619f6e90c6c5e0e07d0/0036208475_10.jpg" /&#62;




	MATTER - LP2022

-OUS Records

«Music gives us the illusion that time is not time, but space. It is then that the music transforms from process to object, which I find a very interesting thought; a materialisation of the sound process. Sound is matter.»&#38;nbsp;Noémi Büchi’s debut album ‘Matter’ captures the tension between growth and decay, consonance and dissonance, mirroring Büchi’s own catharsis through music. Her most personal material to date, ‘Matter’ is an opus of refined, sculpted beauty, one that aims to blur the distinction between ephemerality and physicality. Inspired by late romantic classical music and early 20th century contemporary music, ‘Matter’ is driven by the compositional methodologies of Igor Stravinsky, Alexander Skrjabin, Gustav Mahler and György Ligeti to modern sound forms, adapting and expanding upon their ideas in an awe-inspiring exploration of cutting-edge potency and tactility.Büchi structures the electronic works that constitute ‘Matter’ in movements, stratifying myriad instrumental parts like the constituent sections of an orchestra. During her work on the album, Büchi engaged in extensive research, obsessively studying specific chords and progressions, and searching for transcendent intonations with resonant properties; complexions of sound with the ability to connect with the listener’s body. Transforming our inner worlds into zones of suspension and levitation, Büchi exposes the listener to intoxicating slipstreams of sound. Prominent voices ascend, tectonic disturbances threaten the foundations, perception and sensation becomes subject to elemental countercurrents and inversions. ‘Matter’ illustrates the fraught pursuit of momentary equilibrium, and makes the fragility of euphoria tangible.

	&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/69ec462d8486c46031d79e0c9219eea81756542cef766aed795234124b61f087/a0207833092_10.jpg" data-mid="250396587" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/69ec462d8486c46031d79e0c9219eea81756542cef766aed795234124b61f087/a0207833092_10.jpg" /&#62;&#60;img width="1200" height="831" width_o="1200" height_o="831" data-src="https://freight.cargo.site/t/original/i/d864ca16d8440f263bf703b84c5378e1cc8907f0462a99a5bd98798dbdd61931/0030257568_10.jpg" data-mid="250396595" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/d864ca16d8440f263bf703b84c5378e1cc8907f0462a99a5bd98798dbdd61931/0030257568_10.jpg" /&#62;



	PAROXYSM - &#38;nbsp;LE114&#38;nbsp;
2022

Longform Editions

In this piece composed for Longform Editions, Büchi explores the potential of consonance and dissonance, contrasts rhythmic physicality with disruption and playfully emphasizes irregularities, creating an expansive listening experience marked by detail and elevation.« I am interested in shapes based on these very simple parameters. Concrete sound shapes that I can mould any way I want, like a sculpture, and create relations among those shapes.
I work across genres in my music. Familiar elements from classical music, jazz, folk and also techno can be recognised. There is nature, and the outside world to hear, made of plastic, metal, wood, water and earth. The subject of matter continues to occupy me in my musical work, and I try to get as close as possible to the physical world through sound.» 



	&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/7ee8dee74eeae9266f8cfd36d681b093e4b5b9c36fd0a50e8849b3f0dac6d29b/a1644100553_10.jpg" data-mid="250396629" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/7ee8dee74eeae9266f8cfd36d681b093e4b5b9c36fd0a50e8849b3f0dac6d29b/a1644100553_10.jpg" /&#62;




	HYLE - EP&#38;nbsp;2022


-OUS Records


Noémi Büchi’s first EP for -OUS, ‘Hyle’ is a reference to an ancient Greek term for ‘matter’ (fire, water, air, and earth) which receives form and determination from outside itself. Balancing elements of electroacoustic music, neo-classical composition, and sound design, ‘Hyle’ unfolds in three compositions that translate ‘matter’ into music. ‘We all are matter, and music is matter. My compositions convert personal and collective memories of trauma and joy into music rooted in emotive resonances and intellectual euphoria’ she explains.Representing a conscious return to familiar harmonical structures, Noémi Büchi develops the musicality of ‘Hyle’ through chordal aggregations and interstitial spaces. Her pieces are informed by a classical (western) understanding of compositional forms, structures, and textures, transposed to experimental electronic music. ‘Hyle’is a prelude to her debut album ‘Matter’, which will be released on -OUS in 2022.

	&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/6ec52ff94eb3edc0776dfbe7a87f7f6d15192aa81c3f217fa2a01b4f6cf1ccdc/a1275898887_10.jpg" data-mid="250396698" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/6ec52ff94eb3edc0776dfbe7a87f7f6d15192aa81c3f217fa2a01b4f6cf1ccdc/a1275898887_10.jpg" /&#62;




	Le souvenir d’une ignorance essentielle
2021
Drone piece composed for ICST, ZHdK Zürich, Lange Nacht der Musik.Sequences of glory - sequences of misery - sequences of elysium.The short ones behind the longer ones - changing between hope, despair, sadness, fear, and ecstasy. 

	&#60;img width="1200" height="960" width_o="1200" height_o="960" data-src="https://freight.cargo.site/t/original/i/969317f3decebff82c04a4930b278cf20a6cb0fbf5545f58bdcf01f9de12a230/a3087219303_10.jpg" data-mid="250396722" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/969317f3decebff82c04a4930b278cf20a6cb0fbf5545f58bdcf01f9de12a230/a3087219303_10.jpg" /&#62;


Ne parle pas de secrets 2020

« The idea was to create an amniotic atmosphere.» Anecdotal sounds that remind us of specific moments in our lives cross our mind, liquid, metallic, soft, subtle sounds, and dense drones mingle to create an experience of their own, each one embedding itself in the personal experience of the listener.


	&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/abda947009b66263280b5cf8c6e33a1eda8afde1a3c725331b9bd887eea06408/a2540314439_10.jpg" data-mid="250396706" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/abda947009b66263280b5cf8c6e33a1eda8afde1a3c725331b9bd887eea06408/a2540314439_10.jpg" /&#62;




	MATIÈRE - LP
2020
Light Of Other Days
Noémi Büchi’s debut Ep «Matière» is the result of an extensive study with a modular synthesizer as her instrument of choice mixed with field recordings of sounds and noises surrounding her every day life . Apart from being a student of Electroacoustic Composition and listening to tons of music, Noémi finds most of her inspiration in long nature walks through nearby forests and foggy hills situated close to her bedroom studio.With her music she leads the listener safely through deep paths of complex rhythms and otherworldly sounds. Her awareness of timbre, nuance and harmonic diversity are constantly matched with her ability to produce fresh and revealing arrangements.


	&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/61cb954ef4e4823121630c999bd02f8ac428a846f9d0b2c723d2cfaba8e03a69/a2412164819_10.jpg" data-mid="250396683" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/61cb954ef4e4823121630c999bd02f8ac428a846f9d0b2c723d2cfaba8e03a69/a2412164819_10.jpg" /&#62;&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/cc4d9a9ca679e22063e72a8d252a148ea8a3d096f78816df194f2863fca6fd79/0023376995_10.jpg" data-mid="250396692" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/cc4d9a9ca679e22063e72a8d252a148ea8a3d096f78816df194f2863fca6fd79/0023376995_10.jpg" /&#62;




	
REPRISE R - Digital Album 
2020
Reprise R is an album based on piano works of Maurice Ravel placed in a new space.«By slowing down the piano pieces I discovered the deep sadness contained in them, which I was not able to hear in that way at the original tempo. As if one had to slow down certain things to feel them out better.
I felt that I had finally fulfilled my dream of being in dialogue with Ravel.»


	&#60;img width="1187" height="1200" width_o="1187" height_o="1200" data-src="https://freight.cargo.site/t/original/i/9ac5004ab0bf1acddb2214997fcd2af410bd536c1768cf78da37e5e13ea8954f/a0369156843_10.jpg" data-mid="250396738" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/9ac5004ab0bf1acddb2214997fcd2af410bd536c1768cf78da37e5e13ea8954f/a0369156843_10.jpg" /&#62;




	Études Métalliques
No.I, No.II und No.III
2018

‘Études Métalliques’ is a trilogy of pieces related in content and sonority, based on pure metal sounds.
A transformation takes place both within the individual sounds and their relationship to each other, also on the level of the comprehensive form of the three etudes. From modus 'agité', the listener enters the state of a seemingly infinite continuity of an almost immobile fluctuation of sound, which, however, never stops moving. 
Composed during the master studies in Electroacoustic Composition at the Zurich University of the Arts, 2018.


	&#60;img width="1200" height="936" width_o="1200" height_o="936" data-src="https://freight.cargo.site/t/original/i/5e0aa6a2331e13d59f91faa96e31385ad085d9f794e9f5942c65275bed061181/a4211824135_10.jpg" data-mid="250401562" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/5e0aa6a2331e13d59f91faa96e31385ad085d9f794e9f5942c65275bed061181/a4211824135_10.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>ENSEMBLE WORKS</title>
				
		<link>https://noemibuchi.net/ENSEMBLE-WORKS</link>

		<pubDate>Wed, 22 May 2024 09:35:02 +0000</pubDate>

		<dc:creator>Noémi Büchi </dc:creator>

		<guid isPermaLink="true">https://noemibuchi.net/ENSEMBLE-WORKS</guid>

		<description>

	
ENSEMBLE CATACLYSM
for Currents Festival, Zürich
2024&#38;nbsp;

‘Cataclysm’ is a contemporary electroacoustic piece written for Horn, Trombone, two Saxophones, and Electronics.
The ensemble was created by Noémi Büchi and features accomplished musicians: Joan Jordi Oliver on Saxophone, Axel Kolb on Trombone, Grace Juliet Macdonald on Saxophone, Filipa Salazar on Horn, and the composer herself on the Electronics.More to come in 2027.
	&#60;img width="2596" height="1477" width_o="2596" height_o="1477" data-src="https://freight.cargo.site/t/original/i/69f415879b6683f5c12abb788ed56ca3131dc5b2fa307b0122204516d0b503da/Ensemble-Cataclysm.jpg" data-mid="250432125" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/69f415879b6683f5c12abb788ed56ca3131dc5b2fa307b0122204516d0b503da/Ensemble-Cataclysm.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>CONTACT</title>
				
		<link>https://noemibuchi.net/CONTACT</link>

		<pubDate>Thu, 24 Nov 2022 10:58:40 +0000</pubDate>

		<dc:creator>Noémi Büchi </dc:creator>

		<guid isPermaLink="true">https://noemibuchi.net/CONTACT</guid>

		<description>

	BOOKINGS:
danilo@basemental.it&#38;nbsp;

PRESS / MANAGEMENT:
Alice Suppa &#124;&#38;nbsp;press.alicesuppa@gmail.com 
Sara Castiglioni&#38;nbsp;&#124; sara_castiglioni@yahoo.com

For any other inquiries contact me here

or find me on&#38;nbsp;here
	
</description>
		
	</item>
		
		
	<item>
		<title>MIXING</title>
				
		<link>https://noemibuchi.net/MIXING</link>

		<pubDate>Tue, 16 Dec 2025 07:42:16 +0000</pubDate>

		<dc:creator>Noémi Büchi </dc:creator>

		<guid isPermaLink="true">https://noemibuchi.net/MIXING</guid>

		<description></description>
		
	</item>
		
	</channel>
</rss>